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This blog is the outgrowth of a songwriting workshop I conducted at the 2006 "Moograss" Bluegrass Festival in Tillamook, Oregon. It presumes that after 30-odd years of writing and playing music, I might have something to contribute that others might take advantage of. If not, it may be at least a record of an entertaining journey, and a list of mistakes others may be able to avoid repeating. This blog is intended to be updated weekly. In addition to discussions about WRITING, it will discuss PROMOTION--perhaps the biggest challenge for a writer today--as well as provide UPDATES on continuing PROJECTS, dates and venues for CONCERTS as they happen, how and where to get THE LATEST CD, the LINKS to sites where LATEST SONGS are posted, and a way to E-MAIL ME if you've a mind to. Not all these features will show up right away. Like songwriting itself, this is a work in progress. What isn't here now will be here eventually. Thank you for your interest and your support.

Thursday, February 25, 2010

BENEFIT CONCERT APRIL 24...

The benefit concert for Val Folkema is set for SATURDAY, 24 APRIL, 7 P.M. at The Landing in Bay City. Two bands, roughly 1-1/2 to 2 hours apiece; we’ll be first. I’d like to tap both “Doc” Wagner and Mike Simpson to play lead again (and may not know for a while if we can get them).

I presume since this is in a tavern, we’ll be wanting to do a lot of dance music. I don’t want to introduce a lot of new material (the more new material, the more practices we need—and everybody except me is busy), but I’d like us to have some new stuff, so we don’t sound the same every time we play. We have done five concerts now, and have a fair amount of material to pick from.

Some tunes from the Failed Economy Show that had people up and dancing:

Things Are Getting Better Now that Things Are Getting Worse (Gene Burnett)—fast two-step
For Their Own Ends (Southern Pigfish)—folk-rock
Un-Easy Street (Stan Good)—mod. two-step
Hey, Little Chicken—mod. slow quasi-blues
Our Own Little Stimulus Plan (Betty Holt)—Buddy Holly-style rockabilly
Final Payment (Gem Watson)—mod. two-step, with Gospel beat
Eatin’ Cornflakes from a Hubcap Blues—slow & sleazy quasi-blues
Dance a Little Longer (Woody Guthrie)—country-rock

We can add:

Tillamook Railroad Blues—deliberate blues (and local color)
Duct Tape—mod. fast country
Test Tube Baby—Elvis-style rock ‘n’ roll
Dead Things in the Shower—fast two-step (our usual opening song)
Bluebird on My Windshield—fast bluegrass
Ain’t Got No Home in This World Any More (Woody Guthrie)—mod. two-step
The Frog Next Door—deliberate blues
Valvoline—slow & sleazy [NEW]
Love Trails of the Zombie Snails (Southern Pigfish)—folk-rock [NEW]

A couple of waltzes that we’ve done before:

Welcome to Hebo Waltz—fast waltz (local color, again)
The Day the Earth Stood Still (Jeff Tanzer)—not-quite-as-fast, with Gospel beat

One more would make 20 songs—a solid 1-3/4 hours. Concentrating on danceability, I’d say it’s a choice between “Crosses By the Roadside,” “Armadillo on the Interstate” and “I’m Giving Mom a Dead Dog for Christmas.” Another possibility (though the band’s never played it) is the blues “She Ain’t Starvin’ Herself.” That gives us some two-steps of varying tempos, a couple waltzes, some blues, and some tunes the band is going to play as rock ‘n’ roll. It ought to be a fun show.

Next steps: make sure we’ve got lead players (I’d really like to tap Doc and Mike again), figure out an order for the list (and make CDs for everybody), and see if our local pastor with the mobile recording equipment would be interested in recording a show that’s going to be in a tavern (if not, we’ll wait on the live recording till the Food Pantry benefit in June).

Joe

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