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This blog is the outgrowth of a songwriting workshop I conducted at the 2006 "Moograss" Bluegrass Festival in Tillamook, Oregon. It presumes that after 30-odd years of writing and playing music, I might have something to contribute that others might take advantage of. If not, it may be at least a record of an entertaining journey, and a list of mistakes others may be able to avoid repeating. This blog is intended to be updated weekly. In addition to discussions about WRITING, it will discuss PROMOTION--perhaps the biggest challenge for a writer today--as well as provide UPDATES on continuing PROJECTS, dates and venues for CONCERTS as they happen, how and where to get THE LATEST CD, the LINKS to sites where LATEST SONGS are posted, and a way to E-MAIL ME if you've a mind to. Not all these features will show up right away. Like songwriting itself, this is a work in progress. What isn't here now will be here eventually. Thank you for your interest and your support.

Wednesday, May 23, 2012

THIRSTY LION (&C.)...

The poster, notice and Rap are done for the Thirsty Lion performance next Tuesday, May 29. It’d be nice if some folks came (though folks really never have come to one of these); I expect to start working Tuesday nights come June (and June comes in, like, a week), and then I won’t be able to go to the Thirsty Lion for quite a while. So this is the Joe Equivalent of “the last waltz.” And it’ll be “the last waltz” no matter how many (or how few) people come. For the Thirsty Lion, I plan to do: One Gas Station—mod. fast folk I May Write You from Jupiter—fast bluegrass Cuddle in the Darkness—slow two-step Doing Battle with the Lawn—fast bluegrass The Resurrection Blues—deliberate (but short) blues When I Jump Off the Cliff I’ll Think of You—fast bluegrass (and also short) In the Shadows. I’ll Be Watching You—slow two-step One folkish, three bluegrass, two two-steps and a blues. Two new; the rest, not—but I don’t think I’ve played any of these here before (and this’ll be the 11th time I’ve appeared at the Thirsty Lion). I also revised the Rap for Saturday’s Dylan Night show at The Mercantile in Beaver. (Still playing the same songs—but I was informed one of the songs was copyrighted in 1966, three years later than I thought it was. Changes what I’ll say about it.) We’ll practice one time for the Dylan show Friday night—it’s the only time I have. Curse of the employed, I guess. (I was told by someone, “Well, now you’ve joined the 1%.” If the 1% are those who have jobs—and the way things are going, it might be—yes. I’ve been using the phrase.) Second-to-last caller class was last night (there’ll be one more, on the 29th, from which I’ll have to leave early to go to the Thirsty Lion). I can tell I’m improving at this but I still need lots more practice. I’m going to be on my own for getting it from now on—and I’ll have to get it mostly locally because I’m not able to travel much. Business tips from Daryl this time—because the calling schtick is a business, and that does mean tax deductions until the time you start to turn a profit. Should I set it up as a separate business or bring it under the “umbrella” of Outside Services Ltd. (which needs to “get businessed” this year)? I don’t know. Got the schedule for the Southern Oregon Songwriters’ Summer Concert Series, and I’m not on it; that’s because nobody told me they were signing folks up. I don’t know if it’s their fault or my fault (probably mine), but it does demonstrate that I’ve been out of touch too long. I haven’t gone south to visit in nearly a year. I hadn’t figured on traveling much this summer, either—having paying work doesn’t mean I’m making a lot of money—but having from 7 a.m. Friday morning until 3 p.m. Sunday afternoon free (except for sleeping) does allow the time to go somewhere on the weekend, if I have somewhere to go. Elsewise: I got in touch with “Brother Bill” Howell again, after several years—he and I are the last surviving members of the Dodson Drifters—and it may be possible to go to some bluegrass festivals this summer. That’d be fun. And fellow musician and songwriter Roger MacDonald had a house fire yesterday—and lost just about everything (he did save his guitar); a bunch of folks are putting together a fund-raising dinner. With music, of course. Think “RogerAid.” Joe

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