THE MID-YEAR REVIEW...

Time again for that mid-year review of the Worklist. How the heck are we doing? ALBUM. I think it’ll be the “religious” songs this time. Tentative title: 13 Reasons Why Joe Is Going to Hell. One song recorded for it thus far—“The Resurrection Blues.” A couple more in the pipeline. I have a place to record (the music store) and sound engineer (Jim). Plan is still to release a song a month (once I find an outfit that won’t charge an arm and leg to do it), then compile them as an album. Figured out (just recently) how to record the Southern Pigfish album, too. GIGS. Being suddenly employed hasn’t affected gigging too much; as with the last job (in 2010), I’ve got Saturdays off. I’m playing with two bands, like last year. Portland gigs are probably out because of the work schedule, but I never made any money off those anyway. (I’d still like to play for the Willamette Writers again. That was on a Saturday.) VIDEO. I’ve come up with lots of ideas, but I haven’t done anything with them. PRODUCE SOMEBODY ELSE. Haven’t done that either. I helped (I think) two artists with advice when they were producing their first albums but that’s as far as I’ve gotten. INFRASTRUCTURE. I built the little PA system (for a total cost of ten bucks), and it works. Three channels, expandable to seven when I plug in the 5-channel mixer, and it fits (mostly) in a suitcase. Located my little Hong Kong video camera (finally), plus the new digital camera I got given last year can take video, too. “Justin” the big desktop computer is being rebuilt to do both music and graphic design, and will be able to burn DVDs. Got professional videography software—no more hokey Windows Movie Maker. Still haven’t done squat about the Joe Website. THE WORLD TOUR. Probably still a ways off. I keep flipping back and forth between having money and no time (because I have a job) and having time and no money (because I’m unemployed). I want to go to England, Ireland, France, The Netherlands and Sweden (because I know writers and musicians in all those places), Latvia (because of the blog subscribers), Mongolia (just because), and the Czech Republic (that last because my grandfather came from there back when it was part of the Austrian Empire). I said I was going to ignore MARKETING and BECOMING A HOUSEHOLD WORD, because the stuff I was doing wasn’t working, but it’s hard—marketing is my background, after all. I still obsess about it. I have had to LET THE FAN BASE GROW ON ITS OWN, because I don’t have time any more. I just don’t pass up opportunities, and I make sure that every performance, whatever I’m doing, is as perfect as it can be, even with limited preparation. WRITING. Only four songs in the last six months—“One Gas Station,” “Spend the End of the World with Me,” “The Resurrection Blues” and “Sleepover at My House” (and I don’t know if the last one’s a “keeper” yet, because I haven’t tried it out on a live audience). There’s the parody, of course, that I wrote for the marimba band, “Ghost Sturgeon in the Bay,” and the one-minute closing-credits song for the Jedi Pigs of Oz puppet show, but I don’t count those as “real” songs. In my middle-of-the-night shifts, when there’s no one around to hear me sing, I’ve been rehearsing for gigs and square dances rather than writing. (I’m also enjoying the job—and I worry about that. I know an absence of pain is bad for creativity.) I have done a few things that weren’t on the Worklist, that probably deserve mention as related. I wrote another play for the sock-puppet “troupe”—it’ll be their last because they’re “retiring”—and like the last three plays, it’s got one of my songs in it. I’m in a marimba band—and have written a song for them, too (the abovementioned parody). I’ve taken classes to become a square dance caller—and one of the songs I’m using in my routine is one I wrote. (I detect a common thread, there.) And I got recruited as the entertainment chairman for three concert events this summer, two of which happen next month. Why am I sleeping at all when I’ve got stuff to do? Joe